Greytomb – Monumental Microcosm [2017; Transcending Obscurity Records]

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Packing three tracks, this EP from the Australian group of Greytomb was their first since a self-released debut album, and for their second outing, the trio does an impressive job of balancing hammering assaults with thicker and heavier atmospheric focus.  Attention to melody and tone inflections pays off with lush vibrancy, and the production finds a sweet spot between sharpness and fullness that does an excellent job matching the band’s shifts from savage to withdrawn.  Very good work throughout, with the band pushing themselves to avoid settling into one easy mode.

Soothsayer – At This Great Depth [2016; Transcending Obscurity Records]

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In the first of this short album’s two tracks, “Umpire”, Soothsayer build a thick atmosphere of bass rumbling and keening guitar licks, backed by slow-moving drums and a treacle-speed swell of feedback.  Rising into growls, howls, and pounding beats, the song makes the transition to higher energy with a nice degree of control, and the violence which emerges is fitted smoothly to the growth of the running melody.  “Of Locusts and Moths” follows a similar structure at half the length, with further background texturing, a sharper shift into speed, and a stronger main riff.  It does drop off somewhat abruptly, but that plays to its debut album status by, along with its overall strong song-writing, leaving listeners wanting more.