
Opening with one of two mixes by Tony Humphries, this single for the title track from Janice Christie’s only album luxuriates in its electropop nature by nearly doubling the run-time of the original song, with hollow-body drum machine sounds, bright-popping keyboard chords, and sensual singing wrapped together in tight formation. A mix by Larry Levan follows, rearranging the base rhythm, playing up the synth bass-line, and improving the focus of a sax break. Humphries picks back up for the last mix, which starts out by cropping the loops down to a lean beat before filling it back out, though the vocals are kept to doing very little besides repeating the name. Some interesting playing with the source material, but neither the base nor the remixing goes too far beyond the norm.
Here’s the cover art used in Germany.

