
Son of the Mask, a.k.a., The Mask 2, a.k.a., Mask 2 (2005)

Son of the Mask, a.k.a., The Mask 2, a.k.a., Mask 2 (2005)

Blondie (1938)

Blondie Meets the Boss (1939)

Blondie Takes a Vacation (1939)
El Topo, a.k.a., The Mole, a.k.a., The Gopher (1970)

On his first solo album, Fuzz Townshend turns out a blend of breakbeat, reggae, alternative rock, and a little bit of jazz, with the beat-driven stew sloshing about in a generally upbeat fashion. For the most part, the songs are built around following a given groove or riff, without much in the way of clever structuring, and development of the track tends to go the way of slipping down a break or reiterating with a few more layers slapped onto the cycle. The loops tend to be fairly fun and stylish, though, with a vibe that’s clear and crisp without being over-polished, and while that’s not enough to make up for the shallow arrangements, it does make for easier listening. Neat enough for a diversion, but the flitty songs end up making it feel like an unfinished album.
Here’s the alternate cover art.

Jason X, a.k.a., Jason X: Friday the 13th, a.k.a., Jason 10 (2001)

Death Bed: The Bed That Eats (1977)

Dr. Giggles, a.k.a., Dr. Rictus, a.k.a., Doctor Giggles (1992)
Double Dragon, a.k.a., Double Dragon: The Movie (1994)