Ghost Horizon – The Erotics of Disgust [2017; self-released]

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Bringing black metal tonalities and drum-work to otherwise fairly sedate melodies and indie rock flavoring, making for an interesting but not entirely successful blend.  Bounding between clean crooning and rough howls, the vocals give the drums stiff competition for doing the most work in the music, while the guitar tends to provide either wandering background tunes or straight-forward counterpoint to the drums’ harder rhythms.  Apart from the earnest genre-bending, there’s not too much in the way of compelling material or emotional depth (e.g., “I never wanted to feel this way!”, from closing track “Whispers”), and, in spite of some clear potential, the whole thing ends up feeling sadly underdeveloped.

Bill Laswell & Grandmixer DXT ‎– Aftermathematics Instrumental (Rhythm And Recurrence) [2004; Sub Rosa]

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With collaboration extending past the two main artists to a handful of guests on song-writing, engineering, and performance, this album freely mixes the turntablism of DXT(/DST) with Laswell’s instrumental funk.  Splashes of weird humor (like a scratched-up baby coo) fuse neatly with the cool beats and vaguely sci-fi song titles (e.g., “Cut Virus”, “Phase Draft”, and “Scratch Code”), resulting in an odd (though faint) air of menace over the not-quite-dub.  Despite the assortment of guests, the consistency of the style holds steady through the album’s ten tracks, as the fluctuations of samples, rhythms, and mood flow along with few bumps.  There’s quite a bit of character to it, though no words are sung, and it serves as a nice demonstration of capabilities for those unfamiliar with the output of either of the main artists; solid background or foreground music.